Mxpx - Southbound Chords & Tabs

 

Southbound Chords & Tabs

Mxpx Chords & Tabs

Version: 1 Type: Chords

Southbound Chords

   
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------#
#

Date: Thu, 27 Nov 1997 15:34:42 -0800 (PST)
From: keanek@chipsnet.com (Keane, Ed)


"southbound" by MxPx on the life in general album
G
it's all the same
A                             D
the same old with a different name
G
that's fine by me
             A                              D
there's only one place that i wanna be
     chorus
C       D                G
southbound on I-5
       C        D           G
 i'm driving and i'm dreaming'
             C                D       G
 there's no place i'd rather go
C                       D
staring at white lines on the side of the road
G  A  C
G  A  C  D
G  A  C
G  A  C  D

G
been on the road a while
   A                                D
i gotta get back to the place with style
G
hang out, having fun
  A                                D
i gotta get back to the beach in the sun
   chorus
C       D                  G
southbound on I-5
C             D              G
windows down and music on the stereo
        C       D          G
 i'm driving and i'm dreaming'
            C                D        G
there's no place i'd rather go
C                    D
playing every night with the occasional fight
G  A  C
G  A  C  D
G  A  C
G  A  C  D  C#  D  C#
G

(then a solo that i don;t know)

 then you end on D
[ Tab from: https://www.guitartabs.cc/tabs/m/mxpx/southbound_crd.html ]
well i hope it works, it did for me!
 i got it off the MxPx site(www.mxpx.com)
and they have almost every song tab by them!
by   keanek@chipsnet.com
> >i have tabs that are not in us1 site here! and i want to add them but i
> >don't know how!
>
>
>               .oooooo.   ooooo          .oooooo.          .o.
>              d8P'  `Y8b  `888'         d8P'  `Y8b        .888.
>             888      888  888         888               .8"888.
>             888      888  888         888              .8' `888.
>             888      888  888         888     ooooo   .88ooo8888.
>             `88b    d88'  888       o `88.    .88'   .8'     `888.
>              `Y8bood8P'  o888ooooood8  `Y8bood8P'   o88o     o8888o
>
>
>
> 	HOW TO SUBMIT FILES TO OLGA (THE ON-LINE GUITAR ARCHIVE)
> 	::::::::::::::::::::::::::::::::::::::::::::::::::::::::
>
> 	OLGA, the On-Line Guitar Archive, is a natural development of
> the guitar.tab newsgroups. The Archive provides a library of files that
> is more permanent than usenet and is easily accessible, and attempts to
> prevent repetition of work already done by the community.
>
> 	If you can educate others in how to play a song, type up
> the chords and/or tab and/or playing tip and send it to both the
> newsgroups *AND* the archive, and contribute to the community.
>
> OLGA is particularly looking to develop the weaker areas, such as bass tab,
> acoustic and classical pieces, country, blues and jazz.
>
> 	OLGA, the On-Line Guitar Archive, is a natural development of
> the guitar.tab newsgroups. The Archive provides a library of files that
> is more permanent than usenet and is easily accessible, and attempts to
> prevent repetition of work already done by the community.
>
> 	If you can educate others in how to play a song, type up
> the chords and/or tab and/or playing tip and send it to both the
> newsgroups *AND* the archive, and contribute to the community.
>
> OLGA is particularly looking to develop the weaker areas, such as bass tab,
> acoustic and classical pieces, country, blues and jazz.
>
> Step 1. Preparing your file
> Step 2. Sending us your file.
> Step 3. Acceptance criteria.
> Step 4. Your file at OLGA
>
>
>
> Step 1:		Before you submit, make sure of the following:
> Final		a) That you have included the song name, artist's name
> Preparations	and your own name (and if different, the transciber's name)
>
> 		b) If you can, include other information such as the name
> 		of the album from which the track comes, the name of the
> 		author(s) of the words and music, details of the publisher
> 		and catalogue number, and notes on what effects are used
> 		and on how to play the music. It is also extremely useful
> 		to mention if your file is a special version of the song,
> 		such as from a live show or an acoustic recording.
>
> 		c) Make sure that the file is 'all your own work'. If you
> 		take your crd/tab from a book or magazine that is copyrighted
>  		it won't (knowingly) be	archived.
>
> 	      * d) Check the archive to ensure that you are not
> 		duplicating material already there. If there is
> 		already a version of a song, YOUR SUBMISSION WILL
> 		BE SENT BACK TO YOU, and will not be accepted until the
> 		file contains some note recognizing the presence of the
> 		existing file and saying how the two versions compare,
> 		and possibly instructions to the archivist. If a chord or
> 		tab file already exists for the song, take it down
> 		and incorporate your material with it.
> 		Try to contact the original author to come to an agreement.
> 		Always credit the original author and mention what each of
> 		you has done.
>
> 	      * e) Files must be written in (or saved as) plain-text. It's not
> 		hard to	save your work as plain text, so we will return any
> 		Word 'doc' files or Wordperfect 'wps' (etc) files that you
> 		send us.
>
> 		When writing in a word processor (word, macwrite, notepad,
> 		etc) you should:
> 		use courier font (or some other monospaced font)
> 		limit the width of the page to 75 characters
> 		save the file as text before sending
> 		(When writing in any *text* editor (e.g. emacs, vi, ed,
> 		pico) you will naturally have to do all these things.)
>
>
> Step 2:		Use Email
> Submitting	Use  a subject line of the same form as you post
> 		to news, i.e.  TAB: 'songname' by 'artistname' (See Step 3)
>
>  		Files must be sent individually (that is, don't
> 		send two files in one post, though tar files are acceptable.
> 		Z and gzip compression are acceptable.)
>
> 		Send bass tab files to bass@olga.net
> 		Send all other files to guitar@olga.net
>
> Step 3:
> Acceptance of your file has three steps:
> 	1. Successful receipt at olga.net
> 	2. Check for valid file type, format, brevity, etc.
> 	3. Check for duplication.
>
> 3.1. The subject line of your submission MUST start with
> one of the prefixes listed below (three/four letters and a colon).
> We appreciate it if you then can give the song name and artist name.
>
> Examples of good subject lines (in order of preference):
> 	Subject: CRD: r/reed_lou/hello_its_me.crd
> 	Subject: CRD: hello_its_me.crd by Lou Reed/John Cale
> 	Subject: TAB: hello its me by Lou Reed/John Cale
> 	Subject: PRO: 'Hello It's Me' (Lou Reed/John Cale)
>
> List of Prefixes:
> 	CRD:  - When you are sending a chord file
> 	TAB:  - When you are sending a tablature file
> 	BTAB: - When you are sending a bass tab file
> 	PRO:  - When you are sending a Chordpro file
> 	LYR:  - When you are sending a lyrics file
>
> Step 3.2, 3.3:
> Here are (some of) the criteria for acceptance, and what you should do
> if you file fails these criteria. If your file fails any of these, it
> will be sent back to you, within a week, with a request that it be fixed.
>
> 	The file includes the song name, artist's name, the transcriber's
> 	name, and, if different, the submittor's name.
>
> 	The file is 'all your own work'. If you use material from a book or
> 	magazine, it won't (knowingly) be archived.
>
> 	The file is substantially complete. Examples of insufficient detail
> 	are: single line of tab; files without lyrics; verse but no chorus.
> 	You should always make the form of the song clear, particularly if
> 	there's a solo or bridge (for example) that you can't work out - lable
> 	the various parts (intro, verse, chorus, bridge, etc) and give their
> 	order.
>
> 	The file is not readable, due to unknown encoding when sending, or
> 	because the file itself is not plain text.
> 	Again: When writing a file, we advise using courier font in 10 pt
> 	size. Restrict the page to a width of 75 characters and be sure the
> 	lines don't run over. Save as text before sending. Do NOT send
> 	us .doc (microsoft), .wps (word perfect) files, etc. that have not

> 	been saved as text.
> 	When sending, try to 'insert' the file into your message, rather than
> 	'attaching' it. We can read some attachment encodings, but not all.
>
> 	If a file for the song already exists:
> 	you should get the existing version from the archive,
> 	(go to http://www.olga.net and follow the instructions)
> 	and integrate the two, in as far as this is possible.
> 	(If the recordings on which the crd/tab are based are
> 	different, this may not be possible. They may, for example,
> 	be in different keys, or have different choruses, or be
> 	special live or acoustic versions.)
> 	If your file is for the same recording as the file already
> 	existing, try to contact the original author to come to an
> 	agreement. Always credit the original author and mention what
> 	each of you has done. If you can't contact the author, try to
> 	send a single file (your file and theirs integrated), giving your
> 	alternative notation where necessary. If you are completely sure of
> 	your work, you would not include the old file; if you are not
> 	certain, give both alternatives in the single file.
>
> When you resubmit your file:
> 	add a note at the head, addressed to the archivist, giving
> 	instructions. Example: "Archivist - This file includes the
> 	already existing one for this song, but adds the solo - please
> 	replace the old one with this. I have kept the original author's
> 	name along with mine." or "Note to Archivist - The solo
> 	in the existing file is quite wrong, so i inserted the correct tab.
> 	A note at the top says I wrote the solo. Please replace the
> 	old file with this one."
>
> If your file meets the criteria for acceptance, it will be archived
> within a week, and you should see it at the sites shortly after that.
>
> Step 4:
> Your file at OLGA:
> 		Any file archived becomes the property of the archive in so
> 		far as material extraneous to the musical content (basically
> 		the header and .sig) may be removed or edited.
>
> 		Posting to usenet or submission to the archive implicitly
> 		gives permission for fair-use distribution.
> 		The author's name and e-mail address will always be retained
> 		if accompanying the file, along with any other information
> 		the archivists deem relevant.
>
> 		The archivists retain the right to modify or remove files as
> 		they see fit.
>
> 		In cases of duplication of a song, the archivists may remove
> 		a transcription judged to be of inferior quality. As mentioned
> 		above, submittors are expected to offer opinion as to the
> 		quality of existing versions of files.
>
> 		Requests to have files removed or modified should be made to
> 		the archivists by e-mail to guitar@olga.net
>
>
> Additions/corrections to this file welcomed - send to questions@olga.net
> --------------
> Last Update	Oct 97
>
> cal woods       rcwoods@olga.net
> Pete Palmer     ppalmer@cray.com
> Ryan Harding    rkh2@ukc.ac.uk
> Dean Gaudet     dgaudet@arctic.org
> Alex Randell	randell@serial.music.uiowa.edu
> Rick Schofield	rds@rds.mv.com
>
> OLGA - The On-Line Guitar Archive http://www.olga.net
>
>