#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------#
Date: Tue, 17 Dec 1996 17:22:21 -0500
From: 659513@ican.net
Subject: TAB: Mellon Collie Album by Smashing Pumpkins
Mellon Collie and The Infinate Sadness album - Smashing Pumpkins
NOTE: DO NOT PRINT THIS FROM THE INTERNET as it is approx. 65 pages long. It's best to save it on a floppy or on your hard drive and then to print the sections you want.
This file was put together by CyberBry (659513@ican.net). BUT, all credit should be givin to the author of the chords/tab for each song. I did NOT write all of this tab! Most of it is from OLGA.
MELLON COLLIE AND THE INFINATE SADNESS
TRANSCRIBED BY ADAM MORRIS
DO NOT overlook this TAB just because it a piano song,
it is GREAT fun to play!!
THIS IS THE COMPLETE TAB!!
I have completed the TAB after MANY requests to do so,
so...enjoy!
This was NOT an easy task, I can assure you of that!!
Some piano chords do not convert well to guitar!
TUNING: 1/2 step down, dropped D (actually Db), with
capo on 2nd fret. The 3rd fret now becomes
the 1st fret etc. (this is just to be consistent
with the half step down thing)
Piano arranged for guitar
E |----------0-0--3-1-0-1-0--------|
B |-1--------1-1--------3---3-1----|
G |-0------0-0-0--------2-----x--2-|
D |-2----2---2-2--------0-----3----|
A |-3--3-----3-3--------------3----|
D |--------------------------------|
|----------0-0--3-1-0-1-0--------|
|-1--------1-1--------3---3-1----|
|-0------0-0-0--------2-----x--2-|
|-2----2---2-2--------0-----3----|
|-3--3-----3-3--------------3----|
|--------------------------------|
|-1--0------------------------0--|
|-x-----3--1-----1--------1-3----|
|-3--------x--2--0------0--------|
|-3--------3-----2----2----------|
|-1--------3-----3--3------------|
|--------------------------------|
|--------------------------------|
|-6--5--3--1--1------------3-1---|
|-0-----0--x--2--0-------0-----3-|
|-0--------3-----1-----1---------|
|-x--------3-----1---1-----------|
|-5--------------1-1-------------|
|--------------------------------|
|-1----1--3--6-------------3-1---|
|-2----2--3--3--3------3-5-----3-|
|-x-------0-----5----5-----------|
|-3--3----------5--5-------------|
|--------------------------------|
|--------------------------------|
|-1----1--3--6-------------3-1---|
|-2----2--3--3--3------3-5-----3-|
|-x-------0-----5----5-----------|
|-3--3----------5--5-------------|
|--------------------------------|
|--------------------------------|
|-1----1--3--6-------------3-1---|
|-2----2--3--3--3------3-5-----3-|
|-x-------0-----5----5-----------|
|-3--3----------5--5-------------|
|--------------------------------|
|--------------------------------|
|-1---------1--------------------|
|-2------2----3-2-0------0--3-2--|
|-3----3----------1----1--------3|
|-3--3------------1--1-----------|
|--------------------------------|
CELLO ENTERS
E |----------0-0--3-1-0-1-0--------|
B |-1--------1-1--------3---3-1----|
G |-0------0-0-0--------2-----x--2-|
D |-2----2---2-2--------0-----3----|
A |-3--3-----3-3--------------3----|
D |--------------------------------|
|----------0-0--3-1-0-1-0--------|
|-1--------1-1--------3---3-1----|
|-0------0-0-0--------2-----x--2-|
|-2----2---2-2--------0-----3----|
|-3--3-----3-3--------------3----|
|--------------------------------|
|-1--0------------------------0--|
|-x-----3--1-----1--------1-3----|
|-3--------x--2--0------0--------|
|-3--------3-----2----2----------|
|-1--------3-----3--3------------|
|--------------------------------|
|----------------------------0---|
|--------1---3-1---------1-3-----|
|-3----x-2-----0-------0---------|
|-3-2--x-3-----2-----2-----------|
|-1------3-----3---3-------------|
|--------------------------------|
|----------------------------0---|
|--------1---3-1---------1-3-1---|
|-3----x-2-----0-------0---0-----|
|-3-2--x-3-----2-----2-----------|
|-1------3-----3---3-------------|
|--------------------------------|
|----------------------------0---|
|--------1---3-1---------1-3-1---|
|-3----x-2-----0-------0---0-----|
|-3-2--x-3-----2-----2-----------|
|-1------3-----3---3-------------|
|--------------------------------|
|-1-0----------------------------|
|-3-3---1------------------3-1---|
|-x-----2---2--0---------0-----3-|
|-0-----3---3--1-------1---------|
|-------3------1-----1-----------|
|--------------1---1-------------|
|--------------------------------|
|-1----1--3--6-------------3-1---|
|-2----2--3--3--3------3-5-----3-|
|-x-------0-----5----5-----------|
|-3--3----------5--5-------------|
|--------------------------------|
|--------------------------------|
|-1----1--3--6-------------3-1---|
|-2----2--3--3--3------3-5-----3-|
|-x-------0-----5----5-----------|
|-3--3----------5--5-------------|
|--------------------------------|
|--------------------------------|
|-1----1--3--6-------------3-1---|
|-2----2--3--3--3------3-5-----3-|
|-x-------0-----5----5-----------|
|-3--3----------5--5-------------|
|--------------------------------|
|--------------------------------|
|-1--------1---------------------|
|-2------2---3-2-0-------0-3-2---|
|-x----3---------1-----1-------3-|
|-3--3-----------1---1-----------|
|------------------1-------------|
|----------0-0--3-1-0-1-0--------|
|-1--------1-1--------3---3-1----|
|-0------0-0-0--------2-----x--2-|
|-2----2---2-2--------0-----3----|
|-3--3-----3-3--------------3----|
|--------------------------------|
|----------0-0--3-1-0-1-0--------|
|-1--------1-1--------3---3-1----|
|-0------0-0-0--------2-----x--2-|
|-2----2---2-2--------0-----3----|
|-3--3-----3-3--------------3----|
|--------------------------------|
|-1--0------------------------0--|
|-x-----3--1-----1--------1-3----|
|-3--------x--2--0------0--------|
|-3--------3-----2----2----------|
|-1--------3-----3--3------------|
|--------------------------------|
|--------------------------------|
|-6--5--3--1--1------------3-1---|
|-0-----0--x--2--0-------0-----3-|
|-0--------3-----1-----1---------|
|-x--------3-----1---1-----------|
|-5--------------1-1-------------|
|--------------------------------|
|------------1-------------------|
|-2--------2---3-2--0--------0---|
|-0------0----------1------1-----|
|-0----0------------1----1-------|
|-0--0--------------1--1---------|
|--------------------------------|
|-3-1-----------------1----------|
|-----3-2----------2------3---2--|
|-------0--------0---------------|
|-------0------0-----------------|
|-------0----0-------------------|
|---------------19-20------**-----|
|-------11-12---------------------|
|-4-------------------------------|
|-4-------------------------------|
|-2-------------------------------|
|---------------------------------|
*~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~*
This whole measure is IMPOSSIBLE
to be arranged for guitar because
of the difference in number of
octaves to a piano. The C is meant
to be a low C, but I HAD to arrange
it as a high, I am very sorry!
** Impossible note on a guitar.
**** Remember that the numbers shown
are fret numbers IN RELATION TO
THE CAPO!
The dot on the 3rd fret becomes the
1st fret in the tab fret.
As you can probably tell, this TAB was not
an easy task for me to work out and transcribe,
so.....
PLEASE tell me what you think!!!
Adam
benmo@deakin.edu.au
TONIGHT, TONIGHT
performed by the Smashing Pumpkins
from the album Mellon Collie and the Infinite Sadness
tabbed by perth@nando.net
Unfortunately, my orchestral string ensemble is in the shop right now, so i
couldn't tab out that part :>
Fortunately, this album, Billy was brave and included the lyrics.
The bass is also tuned down and plays the theme Cb, Bb, Db in the key of Cb.
Key of C flat
Chords of magic:
eb--3--0---1-----x----
Bb--3--0---1-----3----
Gb--0--0---0-----2----
Db--0--2---2-----0----
Ab--2--2---3-----x----
Eb--3--x---x-----x----
G Em Cadd9 D
The fingerpicking part for the verses:
repeat a few times
eb------------------------------------------------------ |
Bb-----0--------0--------0-----0--------0--------0------o|
Gb--------0--------0--------------0--------0------------ |
Db-----------0--------0--------------0--------0--------- |
Ab--3-----------------------5---------------------------o|
Eb------------------------------------------------------ |
t r m i r m i r t r m i r m i r
t: thumb, r: ring, m: middle, i: index
The rythm part:
G Em G Em
Cadd9 G D Cadd9 G D Cadd9 G D G
Ok..goodnight
Dennis.
JELLYBELLY
Tabbed by Brian McCall
[Db, Ab, Db, Gb, Bb, Eb]
Intro
G1 and G2 heavy distortion
|------------------------------------------------------
|------------------------------------------------------
|------------------------------------------------------
|-5p4p0-5p4p0-5p4p0-5p4p0-5p4p0-0----------------------
|-5p4p0-5p4p0-5p4p0-5p4p0-5p4p0-0----------------------
|-5p4p0-5p4p0-5p4p0-5p4p0-5p4p0-0-------------/12~~~\--
|------------------------------------------------------
|------------------------------------------------------
|------------------------------------------------------
|-5p4p0-5p4p0-5p4p0-5p4p0-5p4p0-0----------------------
|-5p4p0-5p4p0-5p4p0-5p4p0-5p4p0-0----------------------
|-5p4p0-5p4p0-5p4p0-5p4p0-5p4p0-0-------------pfbr3----
|------------------------------------------------------
|------------------------------------------------------
|------------------------------------------------------
|-5p4p0-5p4p0-5p4p0-5p4p0-5p4p0-0----------------------
|-5p4p0-5p4p0-5p4p0-5p4p0-5p4p0-0----------------------
|-5p4p0-5p4p0-5p4p0-5p4p0-5p4p0-0-------------/12~~~\--
|------------------------------------------------------
|------------------------------------------------------
|-----------------------------------5/7-X-5-5----------
|-5p4p0-5p4p0-5p4p0-5p4p0-5p4p0-0---5/7-X-5-5-5-5------
|-5p4p0-5p4p0-5p4p0-5p4p0-5p4p0-0---3/5-X-3-3-5-5------
|-5p4p0-5p4p0-5p4p0-5p4p0-5p4p0-0-------------5-5------
|--------------------------------------------------------
|--------------------------------------------------------
|-----5/7-X-5-5---------5/7-X-5-5---------5/7------------
|-0---5/7-X-5-5-5-5-0---5/7-X-5-5-5-5-0---5/7-5p4p0-5p4p0
|-0---3/5-X-3-3-5-5-0---3/5-X-3-3-5-5-0---3/5-5p4p0-5p4p0
|-0-------------5-5-0-------------5-5-0-------5p4p0-5p4p0...
*1
|------------------------------------------------------
|------------------------------------------------------
|-2--2--5--5------5/7-X-5-5-----2--2--5--5------5/7-X--
|-2--2--5--5--0---5/7-X-5-5-5-5-2--2--5--5--0---5/7-X--
|-0--0--3--3--0---3/5-X-3-3-5-5-0--0--3--3--0---3/5-X--
|-------------0-------------5-5-------------0----------
|------------------------------------------------------
|------------------------------------------------------
|-5-5-----2--2--5--5------5/7-X-5-5-----2--2--5--------
|-5-5-5-5-2--2--5--5--0---5/7-X-5-5-5-5-2--2--5--5-----
|-3-3-5-5-0--0--3--3--0---3/5-X-3-3-5-5-0--0--3--5-----
|-----5-5-------------0-------------5-5----------5-----
*2 (chorus)
|------------------------------------------------------
|-3-------0---------------------------------------------
|-2---5---0-----7---9---11--14-14-----------------------
|-0---5---5---X-X-X-X-X-X-X-X--X------------------------
|-0---3---5---X-5-X-7-X-9-X-12-12-----------------------
|-0-------5---X---X---X---X-----------------------------
*3 (2nd verse)
|------------------------------------------------------
|------------------------------------------------------
|-2--2--5--5--X-7-X-5-X-7-X-5-X------2--2--5-----------
|-2--2--5--5--X-7-X-5-X-7-X-5-X-5-5--2--2--5--5--X-4---
|-0--0--3--3--X-5-X-3-X-5-X-3-X-5-5--0--0--3--5--X-4---
|-------------X---X---X---X---X-5-5-----------5--X-4---
|-------------------------------------------------------
|-------------------------------------------------------
|----------------------2--2--5--5--X-7-X-5-X-7-X-5-X----
|-X-5-X-7-X-9-X-10-10--2--2--5--5--X-7-X-5-X-7-X-5-X-5-5
|-X-5-X-7-X-9-X-10-10--0--0--3--3--X-5-X-3-X-5-X-3-X-5-5
|-X-5-X-7-X-9-X-10-10--------------X---X---X---X---X-5-5
|------------------------------------------------------
|------------------------------------------------------
|-2--2--5----------------------------------------------
|-2--2--5--5-------------------------------------------
|-0--0--3--5-------------------------------------------
|----------5-------------------------------------------
repeat *2
|----------------------- -------------------
|-X-7-X-5-X-7-X-5-X----- -----4-4-----------
|-X-7-X-5-X-7-X-5-X-5-5- -4-4-4-4-----------
|-X-5-X-3-X-5-X-3-X-5-5- -4-4-2-2-----------
|-X---X---X---X---X-5-5- -4-4---------------
^repeat until
*4
|------------------------------------------------------
|------------------------------------------------------
|-------------4-4--------------------------------------
|-0-0-5-5-4-4-4-4--------------------------------------
|-0-0-5-5-4-4-2-2--------------------------------------
|-0-0-5-5-4-4----...-----------------------------------
then cracendo (sp I'm sure) a-la-Rocket
and back to *1 and intro with a few variations I didn't tab.
ZERO
Tabbed by Brian McCall
All guitars tuned to Eb (Eb Ab Db Gb Bb Eb)
*1
G1 (G2 enters later) Distortion
|--------------------------------------------------------------
|--------------------------------------------------------------
|-5-\4-4---------5-5\4-4---------5-\4-4---------5-3\4-4--------
|-X--X-X---------X-X-X-X---------X--X-X---------X---X-X--------
|-3-\2-2---------3-3\2-2---------3-\2-2---------3-3\2-2--------
|--------0-0-0-0---------0-0-0-0--------0-0-0-0---------0-0-0-0
^-----^ ^-----^ ^-----^ ^-----^
harmonics* harm. harm. harm.
* These harmonics are produced by lightly applying your index
finger to the low E and gradually sliding from around fret 1.75
to 4 or so. A good way of looking at this is letting your finger
touch the E while setting back up for the C octave chord.
*2
|---------------------------------------
|---------------------------------------
|-9-----11----9-----12----11\7--7-------
|-X-----X-----X-----X-----X-----X-------
|-7-----9-----7-----10----9-\5--5-------
|---0-0---0-0---0-0---0-0---------------
^repeat
Put in Es (|022100| or |079900|
*3 (after slide and under solo)
G2
|--------------------------------------------------------------
|--------------------------------------------------------------
|---------------5-5\4-4-------------------------5-5\4-4--------
|---------------X-X---X-------------------------X-X---X--------
|-3-2---2-------3-3\2-2---------3-3-2---2-------3-3\2-2--------
|-----3---0-0-0---------0-0-0-0-------3---0-0-0---------0-0-0-0
|--------------------------------------------------------------
|--------------------------------------------------------------
|--------------------------------------------------------------
|--------------------------------------------------------------
|-3-3-2---2-------2-3-2-2--------------------------------------
|-------3---0-2-3---------0-0-0-0-...and so on-----------------
|--------------------------------------------------------------
|--------------------------------------------------------------
|-9-----9-----9-----9-----11---12------------------------------
|-X-----X-----X-----X-----X----X-------------------------------
|-7-----7-----7-----7-----9----10------------------------------
|---0-0---0-0---0-0---0-0----0----0----------------------------
^repeat
at the end of this riff G2 plays:
|--------------------------------------------------------------
|--------------------------------------------------------------
|-9-9-9-111111121212-------------------------------------------
|-X-X-X-X-X-X-X-X-X--------------------------------------------
|-7-7-7-9-9-9-101010-------------------------------------------
|-------------------....on up----------------------------------
Those high sceams (like the end of the above) are the high E on the 24th
fret (it's james on his V or flood in the production room).
then repeat *1 and that's Zero!
HERE IS NO WHY
By: The Smashing Pumpkins
Tab By: Carlos Bustos
Email: cab144@mail.usask.ca
TUNING: Down half a step
Comment: This song contains similar riffs throughout, BUT, the riffs
are changed everyonce in a while. I tab'ed it from start to
finish to make it easier.
[INTRO]: Amaj7, NOT A.
||-x-------------x-------------x------------------------------------------|
||-2-----x-x--x--2-----x-x--x--2-----x-x--x------------------0-----x-x--x-|
||-1-----x-x--x--1-----x-x--x--1-----x-x--x--2h4p2\1-1h2-2/4-1-----x-x--x-|
||-2-----x-x--x--2-----x-x--x--2-----x-x--x------------------2-----x-x--x-|
||-0-----x-x--x--0-----x-x--x--0-----x-x--x------------------2-----x-x--x-|
||-x-----x-x--x--x-----x-x--x--x-----x-x--x------------------0-----x-x--x-|
||-----------x-------------x-------------x-------------------------------|
||-0---------2-----x-x--x--2-----x-x--x--2-----x-x--x------------------0-|
||-1---------1-----x-x--x--1-----x-x--x--1-----x-x--x--2h4p2\1-1h2-2/4-1-|
||-2---------2-----x-x--x--2-----x-x--x--2-----x-x--x------------------2-|
||-2---------0-----x-x--x--0-----x-x--x--0-----x-x--x------------------2-|
||-0--0--3p0-x-----x-x--x--x-----x-x--x--x-----x-x--x------------------0-|
||-------------------|
||-------------------|
||-9/11-9-7-7-7-7-6--|
||-x--x-x-x-7-7-7-7--|
||-7/-9-7-5-5-5-5-7--|
||----------5-5-5-5--|
[RIFF A]:
||---x-------------x-------------x-------------x--------------------------|
||---2-----x-x--x--2-----x-x--x--2-----x-x--x--2-----x-x--x--0-----x-x--x-|
||---1-----x-x--x--1-----x-x--x--1-----x-x--x--1-----x-x--x--1-----x-x--x-|
||---2-----x-x--x--2-----x-x--x--2-----x-x--x--2-----x-x--x--2-----x-x--x-|
||---0-----x-x--x--0-----x-x--x--0-----x-x--x--0-----x-x--x--2-----x-x--x-|
||---x-----x-x--x--x-----x-x--x--x-----x-x--x--x-----x-x--x--0-----x-x--x-|
||--------------|
||---0----------|
||---1----------|
||---2----------|
||---2----------|
||---0--0--3p0--|
Repeat [RIFF A]:
||-------------------|
||-------------------|
||-9/11-9-7-7-7-7-6--|
||-x--x-x-x-7-7-7-7--|
||-7/-9-7-5-5-5-5-7--|
||----------5-5-5-5--|
[NEXT RIFF, this one varies]: Distortion comes in REALLY big here.
||------------------------------------------------------------------------|
||------------------------------------------------------------------------|
||---------------6--6--6------------9-9-9-9-911-9-7-----------------------|
||--4-----4-4-4--7--7--7--2---------x-x-x-x-x-x-x-x-----------------------|
||--4-----4-4-4--7--7--7--2---------7-7-7-7-7-9-7-5-----------------------|
||--2-----2-2-2--5--5--5--0-----------------------------------------------|
||------------------------------------------------------------------------|
||------------------------------------------------------------------------|
||---------------6--6--6--9---------9-9-9-9-911-9-7-----------------------|
||--4-----4-4-4--7--7--7--9---------x-x-x-x-x-x-x-x-----------------------|
||--4-----4-4-4--7--7--7--7---------7-7-7-7-7-9-7-5-----------------------|
||--2-----2-2-2--5--5--5--------------------------------------------------|
||----------------------------------------------------|
||----------------------------------------------------|
||---------------6--6--6------------9/11-9-7-7-7-7-6--|
||--4-----4-4-4--7--7--7--2---------x--x-x-x-7-7-7-7--|
||--4-----4-4-4--7--7--7--2---------7/-9-7-5-5-5-5-7--|
||--2-----2-2-2--5--5--5--0------------------5-5-5-5--|
||---------x-------------x---------------------------------------------|
||-x-x--x--2-----x-x--x--2-----x-x--x------------------0-----x-x--x--0-|
||-x-x--x--1-----x-x--x--1-----x-x--x--2h4p2\1-1h2-2/4-1-----x-x--x--1-|
||-x-x--x--2-----x-x--x--2-----x-x--x------------------2-----x-x--x--2-|
||-x-x--x--0-----x-x--x--0-----x-x--x------------------2-----x-x--x--2-|
||-x-x--x--x-----x-x--x--x-----x-x--x------------------0-----x-x--x--0-|
||--------|
||--------|
||--------|
||--------|
||--------|
||-0--3p0-|
[The Amaj7 goes on a little longer here]
||-x-------------x-------------x-------------x-------------x------------|
||-2-----x-x--x--2-----x-x--x--2-----x-x--x--2-----x-x--x--2-----x-x--x-|
||-1-----x-x--x--1-----x-x--x--1-----x-x--x--1-----x-x--x--1-----x-x--x-|
||-2-----x-x--x--2-----x-x--x--2-----x-x--x--2-----x-x--x--2-----x-x--x-|
||-0-----x-x--x--0-----x-x--x--0-----x-x--x--0-----x-x--x--0-----x-x--x-|
||-x-----x-x--x--x-----x-x--x--x-----x-x--x--x-----x-x--x--x-----x-x--x-|
||-x-------------------------------------x-------------x-------------x----|
||-2-----x-x--x--0-----x-x--x--0---------2-----x-x--x--2-----x-x--x--2----|
||-1-----x-x--x--1-----x-x--x--1---------1-----x-x--x--1-----x-x--x--1----|
||-2-----x-x--x--2-----x-x--x--2---------2-----x-x--x--2-----x-x--x--2----|
||-0-----x-x--x--2-----x-x--x--2---------0-----x-x--x--0-----x-x--x--0----|
||-x-----x-x--x--0-----x-x--x--0--0--3p0-x-----x-x--x--x-----x-x--x--x----|
||---------x------------------------------------|
||-x-x--x--2----x-x--x--0-----------------------|
||-x-x--x--1----x-x--x--1-----9/11-9-7-7-7-7-6--|
||-x-x--x--2----x-x--x--2-----x--x-x-x-7-7-7-7--|
||-x-x--x--0----x-x--x--2-----7/-9-7-5-5-5-5-7--|
||-x-x--x--x----x-x--x--0--------------5-5-5-5--|
|-Palm Mute-|
||--4-x-x-4-x-x-----------------------------------------------------------|
||--5-x-x-5-x-x-5---5---7---7-----5---------------------------------------|
||--6-x-x-6-x-x-6---6---7---7-----6---------------------------------------|
||--6-x-x-6-x-x-6---6---7---7-----7----------------15b16b15~~-------------|
||--4-x-x-4-x-x-4---4---5---5-----7---------------------------------------|
||--4-x-x-4-x-x-4---4---5---5-----5---------------------------------------|
|-Palm Mute-|
||--4-x-x-4-x-x-----------------------------------------------------------|
||--5-x-x-5-x-x-5---5---7---7-----9---------------------------------------|
||--6-x-x-6-x-x-6---6---7---7-----9----------------13/14-14/16-16~--------|
||--6-x-x-6-x-x-6---6---7---7-----9-----------------x--x--x--x--x---------|
||--4-x-x-4-x-x-4---4---5---5-----7----------------11/12-12/14-14~--------|
||--4-x-x-4-x-x-4---4---5---5-----7---------------------------------------|
||------------------------------------------------------------------------|
||------------------------------------------------------------------------|
||---------------6--6--6------------9-9-9-9-911-9-7-----------------------|
||--4-----4-4-4--7--7--7--2---------x-x-x-x-x-x-x-x-----------------------|
||--4-----4-4-4--7--7--7--2---------7-7-7-7-7-9-7-5-----------------------|
||--2-----2-2-2--5--5--5--0-----------------------------------------------|
||------------------------------------------------------------------------|
||------------------------------------------------------------------------|
||---------------6--6--6--9---------9-9-9-9-911-9-7-----------------------|
||--4-----4-4-4--7--7--7--9---------x-x-x-x-x-x-x-x-----------------------|
||--4-----4-4-4--7--7--7--7---------7-7-7-7-7-9-7-5-----------------------|
||--2-----2-2-2--5--5--5--------------------------------------------------|
||------------------------------------------------------------------------|
||------------------------------------------------------------------------|
||---------------6--6--6------------9-9-9-9-911-9-7-----------------------|
||--4-----4-4-4--7--7--7--2---------x-x-x-x-x-x-x-x-----------------------|
||--4-----4-4-4--7--7--7--2---------7-7-7-7-7-9-7-5-----------------------|
||--2-----2-2-2--5--5--5--0-----------------------------------------------|
||------------------------------------------------------------------------|
||------------------------------------------------------------------------|
||---------------6--6--6------------9/11-9-7-7-7-7-6----------------------|
||--4-----4-4-4--7--7--7--2---------x--x-x-x-7-7-7-7----------------------|
||--4-----4-4-4--7--7--7--2---------7/-9-7-5-5-5-5-7----------------------|
||--2-----2-2-2--5--5--5--0------------------5-5-5-5----------------------|
[interlude leading up to solo]:
[SOLO]: Solo, credit goes to jhewitt@ifu.net for this part of the solo
thanx a bunch.
||--------------------------------------------------------------------
||--15b---------------------------------------------------------------
||-------------------------15b--12h13-12-12h13p12------------------15b
||-----16b-13-15-17h18-13~------------------------13h15p13--15p13-----
||--------------------------------------------------------------------
||--------------------------------------------------------------------
||--------------------------------------------------------------------
||--19b---------------------------------------------------------------
||------15/17\13--------------------13h15p13-12h13p12-13h15-13b12-----
||---------------15/17\13-13/15/18------------------------------------
||--------------------------------------------------------------------
||--------------------------------------------------------------------
|-Palm Mute-|
||--4-x-x-4-x-x-----------------------------------------------------------|
||--5-x-x-5-x-x-5---5---7---7-----5---------------------------------------|
||--6-x-x-6-x-x-6---6---7---7-----6---------------------------------------|
||--6-x-x-6-x-x-6---6---7---7-----7----------------15b16b15~~-------------|
||--4-x-x-4-x-x-4---4---5---5-----7---------------------------------------|
||--4-x-x-4-x-x-4---4---5---5-----5---------------------------------------|
|-Palm Mute-|
||--4-x-x-4-x-x-----------------------------------------------------------|
||--5-x-x-5-x-x-5---5---7---7-----9---------------------------------------|
||--6-x-x-6-x-x-6---6---7---7-----9----------------13/14-14/16-16~--------|
||--6-x-x-6-x-x-6---6---7---7-----9-----------------x--x--x--x--x---------|
||--4-x-x-4-x-x-4---4---5---5-----7----------------11/12-12/14-14~--------|
||--4-x-x-4-x-x-4---4---5---5-----7---------------------------------------|
||------------------------------------------------------------------------|
||------------------------------------------------------------------------|
||---------------6--6--6------------9-9-9-9-911-9-7-----------------------|
||--4-----4-4-4--7--7--7--2---------x-x-x-x-x-x-x-x-----------------------|
||--4-----4-4-4--7--7--7--2---------7-7-7-7-7-9-7-5-----------------------|
||--2-----2-2-2--5--5--5--0-----------------------------------------------|
||------------------------------------------------------------------------|
||------------------------------------------------------------------------|
||---------------6--6--6--9---------9-9-9-9-911-9-7-----------------------|
||--4-----4-4-4--7--7--7--9---------x-x-x-x-x-x-x-x-----------------------|
||--4-----4-4-4--7--7--7--7---------7-7-7-7-7-9-7-5-----------------------|
||--2-----2-2-2--5--5--5--------------------------------------------------|
||------------------------------------------------------------------------|
||------------------------------------------------------------------------|
||---------------6--6--6------------9-9-9-9-911-9-7-----------------------|
||--4-----4-4-4--7--7--7--2---------x-x-x-x-x-x-x-x-----------------------|
||--4-----4-4-4--7--7--7--2---------7-7-7-7-7-9-7-5-----------------------|
||--2-----2-2-2--5--5--5--0-----------------------------------------------|
||----------------------------------------------------|
||----------------------------------------------------|
||---------------6--6--6------------9/11-9-7-7-7-7-6--|
||--4-----4-4-4--7--7--7--2---------x--x-x-x-7-7-7-7--|
||--4-----4-4-4--7--7--7--2---------7/-9-7-5-5-5-5-7--|
||--2-----2-2-2--5--5--5--0------------------5-5-5-5--|
||---------x-------------x------------------------------------------------|
||-x-x--x--2-----x-x--x--2-----x-x--x------------------5~-----------------|
||-x-x--x--1-----x-x--x--1-----x-x--x--2h4p2\1-1h2-2/4--------------------|
||-x-x--x--2-----x-x--x--2-----x-x--x--(slow)-----------------------------|
||-x-x--x--0-----x-x--x--0-----x-x--x-------------------------------------|
||-x-x--x--x-----x-x--x--x-----x-x--x-------------------------------------|
BULLET WITH BUTTERFLY WINGS
[I (CyberBry) could not find the name of the author of this tab. If it is yours PLEASE e-mail me and tell me and proper recognition will be givin]
All guitars tuned Eb, Ab, Db, Gb, Bb, Eb
"The world is a vampire..."
*1
G1 and G2 mid/light distortion
|---------------------------------------------------------
|---------------------------------------------------------
|-4-4-4-4-(4)----------2-2-2-2----------------------------
|-4-4-4-4--5--2--2-2-2-2-2-2-2----------------------------
|-2-2-0-2--5--2--2-2-2-0-0-0-0----------------------------
|----------3--0--0-0-0------------------------------------
^repeat
*2
< <
|---------------------------------------------------------
|---------------------------------------------------------
|-4-4-4-------------------2---2---------------------------
|-4-4-4-2-2-2-2-2-5-5-5-5-2-2-2-2-------------------------
|-2-2-2-2-2-2-2-2-5-5-5-5-0-0-0-0-------------------------
|-------0-0-0-0-0-3-3-3-3---------------------------------
^repeat
^ that little "
Chorus ends with:
|---------------------------------------------------------
|---------------------------------------------------------
|-------------2-------------------------------------------
|-2---5---4---2-------------------------------------------
|-2---5---4---0-------------------------------------------
|-0---3---2-----------------------------------------------
^repeated several times after second chorus
back to *1...
End riff
(similar to *3)
|---------------------------------------------------------
|---------3-----------------------------------------------
|-4-------2-X-2-------------------------------------------
|-4-X-5---0-X-2-------------------------------------------
|-2-X-5---0-X-0-------------------------------------------
|-----3---------------------------------------------------
add rhythm there as appropriate...
you know how I hate to tab out all those
rhythm strumms (ie. the end riff)...sorry.
TO FORGIVE
KEY: p= pull off
Tuning: Down 1/2 step ^= bend up
intro/verse
G5 F#5 Em
----------------------------------------------------------
----------------------------------------------------------
----------------------------------------------------------
-----5---5------2----------4---4-------4p2----------------
---5---5------4---4-0----2---2---2----------2-------------
-3----------2----------0------------0---------0-----------
verse part 2
----------------------------------------------------------
----------------------------------------------------------
----------------------------------------------------------
----------------------------------------------------------
------3^--0-----------------------------------------------
--0-------------------------------------------------------
(chorus)
chorus chords
EADGBE
G- 320003
Asus2-x02200
Any questions or comments email me at Riffhead@aol.com
(FUCK YOU) AN ODE TO NO ONE
Tabbed by Brian McCall
Eb tuning
*1 Heavy distortion, palm muting throughout
|--------------------------------------------------------
|--------------------------------------------------------
|--------------------------------------------------------
|--------------------------------------------------------
|--------------------------------------------------------
|-2-2-2-2-2-2-2-2-2-2-2-2-2-2-2-2...5-5-5-5-5-5-5-5-5-5-5
|--------------------------------------------------------
|--------------------------------------------------------
|--------------------------------------------------------
|--------------------------------------------------------
|--------------------------------------------------------
|-5-5-5-5-5-5-5-5...2-2-2-2-2-2-2-2-2-2-2-2....5-5-5-5...
gradually let off of palm muting
|--------------------------------------------------------
|--------------------------------------------------------
|--------------------------------------------------------
|--------------------------------------------------------
|--------------------------------------------------------
|-2-2-2-2-2-2-2-2-2-2-2-2-2-2-2-2------------------------
*2
[ Tab from: https://www.guitartabs.cc/tabs/s/smashing_pumpkins/melon_collie_and_the_infinite_sadness_album_tab.html ]
|--------------------------------------------------------
|--------------------------------------------------------
|--------------------------------------------------------
|-4-----4-----4-------4-7-4-----4-----4-------4-7-4-----4
|-4-----4-----4-------4(7)4-----4-----4-------4(7)4-----4
|-2-0-0-2-0-0-2-0-0-0-2-5-2-0-0-2-0-0-2-0-0-0-2-5-2-0-0-2
^repeat
|--------------------------------------------------------
|--------------------------------------------------------
|--------------------------------------------------------
|-----2--2-----------------------------------------------
|-----2--2-----------------------------------------------
|-0-0-0--0-----------------------------------------------
back to *1
repeat *2 but add this to the end
|--------------------------------------------------------
|--------------------------------------------------------
|-------9------------------------------------------------
|-9-9-X-9----2-------------------------------------------
|-9-9-X-7----2-------------------------------------------
|-7-7-X------0-------------------------------------------
*3
p.m.------------------|
|--------------------------------------------------------
|--------------------------------------------------------
|--------------------------------------------------------
|--------------------------------------------------------
|--------------------------------------------------------
|-2-2-2-2-2-2-2-2-2-2-2-2-0h2p0-5~-----------------------
^repeat twice more
p.m.------------------|
|--------------------------------------------------------
|--------------------------------------------------------
|--------------------------------------------------------
|-------------------------2--2---------------------------
|-------------------------2--2---------------------------
|-2-2-2-2-2-2-2-2-2-2-2-2-0--0---------------------------
*4 (strum to the rhythm)
|--------------------------------------------------------
|--------------------------------------------------------
|-------------------------------------------------------
|-4-----4-4-4---4-4-6-6-----7-----9-----11----------------
|-X-----X-X-X---X-X-X-X-----X-----X-----X--2--------------
|-2-...-2-2-2-0-2-2-4-4-...-5-...-7-...-9--0--------------
|--------------------------------------------------------
|--------------------------------------------------------
|--------------------------------------------------------
|-4-4-----2-2-2-4-4-----2-2-2-4-4-----2-2-2-4-4---2------
|-4-4-----2-2-2-4-4-----2-2-2-4-4-----2-2-2-4-4---2------
|-2-2-----0-0-0-2-2-----0-0-0-2-2-----0-0-0-2-2---0------
p.m.-----------...|
|--------------------------------------------------------
|--------------------------------------------------------
|--------------------------------------------------------
|--------------------------------------------------------
|--------------------------------------------------------
|-2-2-2-2-2-2-2-2...-------------------------------------
slow down....stop.
less distortion
|--------------------------------------------------------
|--------------------------------------------------------
|-2------------2---------2-------------------------------
|-2--2--4------2--2--4---2--2--4---2---------------------
|-0--2--4------0--2--4---0--2--4---2---------------------
|----0--2--/9\----0--2------0--2---0---------------------
repeat *4
LOVE
From: therapy@midcoast.com.au (julian nicholls)
Tune down half step to flats
(Over the solo play the chords G# B C# E as in the chorus)
Solo was tabbed by David Worsely (i stole it)
Solo:
|-5-5-5-5-10\-10\-10\-10\-10\-8---8-10\-14\-16\-17\-| \ is a bend
|-------------------------------9-------------------|
|---------------------------------------------------|
|---------------------------------------------------|
|---------------------------------------------------|
|---------------------------------------------------|
|-17-15-------15----19-15----20\-17-|
|-------17-15----17-------17--------|
|-----------------------------------|
|-----------------------------------|
|-----------------------------------|
|-----------------------------------|
|-17-15------------------------------|
|-------17-15-12-15-15-17-15-20-full-|
|-------------------------------bend-|
|------------------------------------|
|------------------------------------|
|------------------------------------|
Thanks, hope you like it!
CUPID DE LOCKE
Transcribed by Dietrich Featherston
b-bend
r-release
e-|-----0----------------|
B-|--5-----5--4b5r4------|
G-|----------------------|
D-|----------------------|
A-|----------------------|
E-|----------------------|
This is probably the easiest song I have ever tabbed I just put it here for
the sake of putting something on the internet.
Marcus Featherston
marcus@interoz.com
mlf@falcon.nssf.af.mil
mfeathe@garnet.acns.fsu.edu
******************************************************************
**** http://www.interoz.com/usr/marcus/access.exe?marcus ****
**** OR ****
**** http://www.interoz.com/usr/marcus/marcus.htm ****
**** ****
**** Guitars, Amps, Astronomy, Pianos, Compilers, ****
**** SW Reengineering, Compilers ****
******************************************************************
GALAPOGOS
tabbed by Peter Henderson(Saldek) ; Oshawa, Ontario, CANADA
TUNING: half step down-Eb Ab Db Bb Gb Eb
(verse starts on repeat)
RHYTHM FIGURE 1;
.
Eb------------------------------9-----------9-------------------
Bb-------10-----------10----------10----------10-----------10---
Gb----11----11~----11----11~---------11~---------11~----11---11~
Db-12-----------12-----------12----------12----------12---------
Ab--------------------------------------------------------------
Eb--------------------------------------------------------------
Eb-----------------9----------9--------------------------15-----
Bb-------10----------10---------10~-12-------12-------------12--
Gb----11----11~---------11~------------12-------12----12--------
Db-12-----------12----------12------------12-------12-----------
Ab--------------------------------------------------------------
Eb--------------------------------------------------------------
Eb--------------------------------------------------------------
Bb--------12--------------10----------10----------10-----------10
Gb----12~-------12-----11----11~---11----11~---11----11~----11---
Db-12--------12-----12-----------12----------12----------12------
Ab--------------------------------------------------------------
Eb--------------------------------------------------------------
Eb--------9-----------9-----------9-----------9-----------------
Bb----------10----------10----------10----------10~-12-------12-
Gb-11~---------11~---------11~---------11~-------------12-------
Db-----12----------12----------12----------12-------------12----
Ab--------------------------------------------------------------
Eb--------------------------------------------------------------
Eb----------15-----------------|---0--0--0--0--0--0--0--0-------
Bb-------------------12-------:|---10-10-10-10-10-10-10-10------
Gb-12----12-------12-------12--|---11-11-11-11-11-11-11-11------
Db----12-------12-------12-----|12-12-12-12-12-12-12-12-12------
Ab----------------------------:|--------------------------------
Eb-----------------------------|--------------------------------
Interlude;
Eb-------------------------------|------------------
Bb-12\10--7\5--8\7--5\3--7/8~~--:|-----repeat-------
Gb-11\-9--6\4--7\6--4\2--6/7~~---|--------3---------
Db-0---0--0-0--0-0--0-0--0-------|------times-------
Ab------------------------------:|------------------
Eb-------------------------------|------------------
Eb----------------------2-------0----------------------------
Bb-----0---0---0----------0------------or something----------
Gb---2---2---2---2----2-----2-----2---like that..just play---
Db-0----------------0---------0--------around with-----------
Ab---------------------------------------Dm(no 3rd)----------
Eb-----------------------------------------------------------
Bridge;
Rhythm Figure one ....end with D*
CHORDS;
Dm (no 3rd) - X X 0 2 3 0
D/F# - 2 X 0 2 3 X
Em7 - 0 2 2 0 3 0
G - 3 2 0 0 3 3
D* (?) - X X 12 11 10 9
D** (?) - X X X 11 10 12
E* (?) - X X X 7 8 9
Well there ya go...if you have any questions, corrections or comments please
send them to me....I hope this TAB makes sense for you...And if you know the
names for those chords with question marks..please tell me...
--
| Fidonet: Peter Henderson 1:229/125
| Internet: Peter.Henderson@pconline.gryn.org
PORCELINA OF THE VAST OCEANS
Tabbed by Brian McCall
[Db Ab Db Gb Bb Eb] (Eb tuning down to drop D)
*1
G1 Clean
|--------------------------------------------------------
|---------0---------------0-----------------0------------
|-----6-----6---6-----6-----6---6------12-----12----12---
|---7---------7-----7---------7-----10-----------10------
|-0-----0---------0-----0---------0-------0--------------
|--------------------------------------------------------
|--------------------------------------------------------
|-----------0--------------------------------------------
|------12-----12----12-----------------------------------
|---10-----------10--------------------------------------
|-0-------0----------------------------------------------
|--------------------------------------------------------
^repeat...
G2 Clean with slight phasing. Lead fill over *1
|------------------------------------0-------------------
|---------------------------------0----------------------
|--------------------------------------------------------
|-11-(/)-14-(\)-9--11--7--9hbr-7-------------------------
|--------------------------------------------------------
|--------------------------------------------------------
*2 (Pre-Chorus)
Both guitars Heavy distortion
|--------------------------------------------------------
|--------------------------------------------------------
|-11--14---9---11---7/9-9\7------------------------------
|-X---X----X---X----X---X-X---7-7-7-7-7-7-7-7-10-10-10-10
|-9---12---7---9----5/7-7\5---7-7-7-7-7-7-7-7-10-10-10-10
|---0----0---0----0---------0-7-7-7-7-7-7-7-7-10-10-10-10...
|------------------------------------------------------------------
|------------------------------------------------------------------
|-11-11--14-14---9-9---11-11---7/9-9\7------------------------------
|-X--X---X--X----X-X---X--X----X---X-X---7-7-7-7-7-7-7-7-10-10-10-10
|-9--9---12-12---7-7---9--9----5/7-7\5---7-7-7-7-7-7-7-7-10-10-10-10
|------0-------0-----0------0----------0-7-7-7-7-7-7-7-7-10-10-10-10..
|--------------------------------------------------------
|-----------------------------------------0-0------------
|-----------------------------------------0-0------------
|-7-7-7-----------------------------------5-5------------
|-7-7-7...--------------------------------5-5------------
|-7-7-7-7-7-7-7-7-10-10-10-10-10-10-10-10-5-5...---------
Verse is hard to hear, can't figure it out, but it goes:
D A C G
A C G A C
*3 (longer pre-chorus)
|--------------------------------------------------------
|--------------------------------------------------------
|-11--14---9---11---7/9-9\7------------------------------
|-X---X----X---X----X---X-X---7-7-7-7-7-7-7-7-10-10-10-10
|-9---12---7---9----5/7-7\5---7-7-7-7-7-7-7-7-10-10-10-10
|---0----0---0----0---------0-7-7-7-7-7-7-7-7-10-10-10-10...
|------------------------------------------------------------------
|------------------------------------------------------------------
|-11-11--14-14---9-9---11-11---7/9-9\7------------------------------
|-X--X---X--X----X-X---X--X----X---X-X---7-7-7-7-7-7-7-7-10-10-10-10
|-7--7---12-12---7-7---9--9----5/7-7\5---7-7-7-7-7-7-7-7-10-10-10-10
|------0-------0-----0------0----------0-7-7-7-7-7-7-7-7-10-10-10-10..
|--------------------------------------------------------
|--------------------------------------------------------
|-11--14---9---11---7/9-9\7------------------------------
|-X---X----X---X----X---X-X---7-7-7-7-7-7-7-7-10-10-10-10
|-9---12---7---9----5/7-7\5---7-7-7-7-7-7-7-7-10-10-10-10
|---0----0---0----0---------0-7-7-7-7-7-7-7-7-10-10-10-10...
|--------------------------------------------------------
|-----------------------------------------0-0------------
|-----------------------------------------0-0------------
|-7-7-7-----------------------------------5-5------------
|-7-7-7...--------------------------------5-5------------
|-7-7-7-7-7-7-7-7-10-10-10-10-10-10-10-10-5-5...---------
*4 Feedback Verse
G2
|--------------------------------------------------------
|--------------------------------------------------------
|-/14--------\9------/17------\7------/14-----\9---------
|--------------------------------------------------------
|-/12--------\7------/15------\5------/12-----\7...------
|--------------------------------------------------------
Allow octaves to feedback at different pitches
repeat the riffs, and that's Porcelina!
TAKE ME DOWN
Written and performed by James Iha
Transcribed by Adam Morris
omments: Tune down 1 whole step
Billy and James may use different
chord voicings, but I think the
chords are basically the same.
Also, this song is really quick, so
its hard to get a good feel for
whats being played, but this is
what I've been played since I got
the disc a few months back.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Well...that, I believe, is pretty damn close!
Anyone agree/disagree?
E-mail me with any comments, improvements, and tab requests!
Adam Morris (benmo@deakin.edu.au)
WHERE BOYS FEAR TO TREAD
Transcribed By - BUGG_SUPERSTAR@S-GRIFFIN.COM
* Tuned Down - Eb,Ab,Db,Gb,Bb,Eb *
This is a pretty easy tune of the new album, throughout the whole
song there are only two riffs. I will show the two, and you can
figure out the rest for yourself. I have seen other attempts at
this song, but I think this is the most accurate.
Main Riff of the Whole Song
Eb-|--------------------------------------------------------------------|
Bb-|--------------------------------------------------------------------|
Gb-|--------------------------------------------------------------------|
Db-|--------------------------------------------------------------------|
Ab-|-3/5---------------3------------------------------------------------|
Eb-|------4--4--0-0-0----1--3-3-3-3-3-3-3-3-----------------------------|
Second Riff, used in Chorus and at the end
Eb-|--------------------------------------------------------------------|
Bb-|--------------------------------------------------------------------|
Gb-|--------------------------------------------------------------------|
Db-|-3-3-3-3---3-3-3--3-3-3-3-3-5-4-------------------------------------|
Ab-|-3-3-3-3---3-3-3--3-3-3-3-3-5-4-------------------------------------|
Eb-|-1-1-0-1---1-0-1--1-1-1-1-1-3-2-------------------------------------|
Thats pretty much it, near the end it does the previous part, but without
going up to the G5 and F#5 (I Think thats it).
This is my first transcription, so please write me with and comments and
suggestions at BUGG_SUPERSTAR@S-GRIFFIN.COM. Enjoy :)
BODIES
From: Trevor Mintz @ SaskPower
First off, use what Billy calls 'grunge tuning' (dropped D). Then take that Dropped D and tune it down a
half step to a C#. In the last guitar world interview Billy said the whole album was tuned down a half step to get a deeper sound. After that, the song is quite easy.
Major distortion
---------------------------------------------------------------------
---------------------------------------------------------------------
---------------------------------------------------------------------
--3333333333/777777777777\22222222222/333333333--
--3333333333/777777777777\22222222222/333333333--
--3333333333/777777777777\22222222222/333333333--
change #1
---------------------------------------------------------------------
---------------------------------------------------------------------
---------------------------------------------------------------------
--2222222222/777777777777\55555555555\222222222--
--2222222222/777777777777\55555555555\222222222--
--2222222222/777777777777\55555555555\222222222--
change #2
---------------------------------------------------------------------
---------------------------------------------------------------------
---------------------------------------------------------------------
--5555555555/777777777777\222222222/55555555555--
--5555555555/777777777777\222222222/55555555555--
--5555555555/777777777777\222222222/55555555555--
I can't remember exactly where in the lyrics the changes are but once
you listen to the song you'll know where they are & where changes #1 and #2 go.
Be patient with my instructions, this is my first posting. Recommendation: use a light pick to get that continuous guitar attack. Cheers to everyone else who has posted tabs. Much appreciated. I'm waiting
for help with the rest of the songs off this double album masterpiece. Especially 'To forgive' & 'Jellybelly'.
THIRTY-THREE
Tabbed by Peter Henderson(Saldek); Oshawa, Ontario, CANADA
Special thanks to Rich Santos
TUNING Half Step Down-Eb Ab Db Gb Bb Eb
Ok well..here's the tab....i think this is how they play it....
There is another guitar part for this..it has some effect on it..
But as you will see..i didn't tab it....Sorry
CHORDS:
Eb Ab Db Gb Bb Eb
C - x 3 2 0 1 0
Dm(no 3rd) -x 0 0 2 3 0 From thereon in there is no new stuff..so that is it.
The song ends on the weird E from the CHORUS
I would like to hear some opinions about this please.
Bye
Adam
benmo@deakin.edu.au
TALE OF A SCORCHED EARTH
Transciption by Michael Gartley
-------------------------------
Comments: Tune down 1 whole step
Billy and James may use different
chord voicings, but I think the
chords are basically the same.
Also, this song is really quick, so
its hard to get a good feel for
whats being played, but this is
what I've been played since I got
the disc a few months back.
intro (and bridge):
e---------------------------------------
b---------------------------------------
g---------------------------------------
d---------------------------------------
a----4-----4-----4-----4---4---4--------
e--0h2-0-0h2-0-0h2-0-0h2-0h2-0h2--------
pre-verse:
e-------------------|----------------|-------
b-------------------|----------------|-----2-
g-------------------|----------------|-7---2-
d---9--9-9-12/13-14-|--9--9-9-5/6-7--|-7---2-
a---7--7-7-10/11-12-|--7--7-7-3/4-5--|-5-5-0-
e---0--0-0----------|--0--0-0--------|---3-0-
chorus:
(I lie just to be real, and I die just to feel etc.)
e---------------------------------------------
b---------------------------------------------
g---------9---------11---------13----------14-
d---------------------------------------------
a---------7---------9----------11----------12-
e-0-0-0-0---0-0-0-0----0-0-0-0-----0-0-0-0----
e---------------------------------------------
b---------------------------------------------
g---------4---------6----------7-----------9--
d---------------------------------------------
a---------2---------4----------5-----------7--
e-0-0-0-0---0-0-0-0----0-0-0-0-----0-0-0-0----
THRU THE EYES OF RUBY
Tabbed by Brian McCall
Eb tuning
Piano intro
*1
there are _several_ layered guitars for this
G1 slight distortion
|---------4----------------5----------------6-------
|-----0-----0---0------0-----0---0------0-----0---0-
|---4--(4)----4------7--(7)----7------6--(4)----6---
|-2----------------5----------------4---------------
|---------------------------------------------------
|---------------------------------------------------
|---------9----------------------------------------
|-----0-----0---0----------------------------------
|---9--(7)----9------------------------------------
|-7------------------------------------------------
|--------------------------------------------------
|--------------------------------------------------
G2
|---------4---------------------------------6-------
|-----0-----0---0------0-------0--------0-----0---0-
|---4--(4)----4------7-------7---7----6--(6)----6---
|-2----------------5-----5----------4---------------
|--------------------------5------------------------
|---------------------------------------------------
|---------9-----------------------------------------
|-----0-----0---0-----------------------------------
|---9--(9)----9-------------------------------------
|-7-------------------------------------------------
|---------------------------------------------------
|---------------------------------------------------
G3 (first time only) Tremolo (fast phasing)
|--------------------------------------------------
|--------------------------------------------------
|-3hbr---2hbr--------------------------------------
|--------------------------------------------------
|--------------------------------------------------
|--------------------------------------------------
*2
G1 Distortion
|--------------------------------------------------
|-------12-/-19--\-10--14--16-17-----\--12-/-19--\-
|-13~---X----X-----X---X---X--X---------X----X-----
|-X-----9--/-16--\-8---11--13-14-----\--9--/-16--\-
|-11~----------------------------------------------
|-0------------------------------------------------
|--------------------------------------------------
|-10--14-------------------------------------------
|-X---X--------------------------------------------
|-8---11-------------------------------------------
|--------------------------------------------------
|--------------------------------------------------
G2 Distortion
|-0-------------------------------------------------
|-0-------------------------------------------------
|-1-------------------------------------------------
|-2-----5--/-12--\-4---7---9--2---------5--/-12---\-
|-2-----5--/-12--\-4---7---9--2---------5--/-12---\-
|-0-----3--/-10--\-2---5---7--0---------3--/-10---\-
|--------------------------------------------------
|--------------------------------------------------
|--------------------------------------------------
|-4---7----------------------------------------------
|-4---7----------------------------------------------
|-2---5----------------------------------------------
*3
G1 Phasing
|---------4----------------5----------------6-------
|-----0-----0---0------0-----0---0------0-----0---0-
|---4--(4)----4------7--(7)----7------6--(4)----6---
|-2----------------5----------------4---------------
|---------------------------------------------------
|---------------------------------------------------
|---------9----------------------------------------
|-----0-----0---0----------------------------------
|---9--(7)----9------------------------------------
|-7------------------------------------------------
|--------------------------------------------------
|--------------------------------------------------
G2 Clean
|---------4---------------------------------6-------
|-----0-----0---0------0-------0--------0-----0---0-
|---4--(4)----4------7-------7---7----6--(6)----6---
|-2----------------5-----5----------4---------------
|--------------------------5------------------------
|---------------------------------------------------
|---------9-----------------------------------------
|-----0-----0---0-----------------------------------
|---9--(9)----9-------------------------------------
|-7-------------------------------------------------
|---------------------------------------------------
|---------------------------------------------------
I strongly believe that the phaser used is the Mu-tron
Bi-phase. They've used it before and mine can mimic
this sound exactly. For those who have one, here's my
settings:
Phasor A only, Sweep: just below 2, Depth: 7, Feedback: 7.5
*4 ("Breathing Underwater....")
G1 (still phased)
|---------7---------------7-----------------11--------
|-----0-----0---0-----0-----0---0------0-------0----0-
|---7---7-----7-----7---7-----7-----11---11------11---
|-5---------------5---------------9-------------------
|-----------------------------------------------------
|-----------------------------------------------------
|-----------11-10-9-8-7-------7---------------7-------
|------0------------------0-----0---0-----0-----0---0-
|---11---11-------------7---7-----7-----7---7-----7---
|-9-------------------5---------------5---------------
|-----------------------------------------------------
|-----------------------------------------------------
(overdub maybe?)
G2 (tremolo phasing)
|-7-------------------------------11------------------
|-0-------------------------------0-------------------
|-7-------------------------------11------------------
|-5-------------------------------9-------------------
|-----------------------------------------------------
|-----------------------------------------------------
^strummed ^strum slow
slowly
(think "Soma")
|-7---------------------------------------------------
|-0---------------------------------------------------
|-7---------------------------------------------------
|-5---------------------------------------------------
|-----------------------------------------------------
|-----------------------------------------------------
G1
|-----------11-------------------10-------------------
|------0-------0----0-------0-------0----0------------
|---11---11------11------11---11------11--------------
|-9-------------------12------------------------------
|-----------------------------------------------------
|-----------------------------------------------------
|---------9---------------7---------------------------
|-----0-----0---0-----0-----0---0---------------------
|---9---9-----9-----7---7-----7-----------------------
|-7---------------5-----------------------------------
|-----------------------------------------------------
|-----------------------------------------------------
G2 Tremolo phasing (gets one whole chord in on this part!)
|-11--------------------------------------------------
|-0---------------------------------------------------
|-11--------------------------------------------------
|-9---------------------------------------------------
|-----------------------------------------------------
|-----------------------------------------------------
G3 (Lead fill. Can't tell if it's clean or chorus or
slight distortion or what...)
|-------------------------------------------|---------
|-----------7------8---(12)/14--12----------|---------
|-(12)\-6h8---9h11-----------------14-11--12|-11------
|-------------------------------------------|---------
|-------------------------------------------|---------
|-------------------------------------------|---------
*6
G1 Distortion (brighter than G2)
|-----------------------------------------------------
|-----------------------------------------------------
|-----------------------------------------------------
|-----------------------------2-----5--/-12--\-4---7-9
|-----------------------------2-----5--/-12--\-4---7-9
|-----------------------------0-----3--/-10--\-2---5-7
G2 Distortion
|-----------------------------------------------------
|-----------------------------------------------------
|-----------------------------------------------------
|-2-----5--/-12--\-4---7---9--2-----5--/-12--\-4---7-9
|-2-----5--/-12--\-4---7---9--2-----5--/-12--\-4---7-9
|-0-----3--/-10--\-2---5---7--0-----3--/-10--\-2---5-7
G3 Distortion (Lead Fill)
|------------------------------------7--6--9--12--14b-
|--------------------------------7--5-----------------
|-----------------------------------------------------
|-----------------------------------------------------
|-----------------------------------------------------
|-----------------------------------------------------
*7
G1
|-----------------------------------------------------
|-----------------------------------------------------
|-----------------------------------------------------
|-9---7-/-12-\-5-5-5----------------------------------
|-9---7-/-12-\-5-5-5----------------------------------
|-7---5-/-10-\-3-3-3...-------------------------------
STUMBLEINE
tabbed by Peter Henderson(SALDEK); Oshawa, Ontario, CANADA
TUNING: E A C F b E w/ capo first fret
Well this song took me forever to tab...but here it is...and as correct as
i could get it...
**TAB IS RELATIVE TO THE CAPO!!**
/ - slide
FIG. 1 FIG. 2
E-| |-----------------------------------|--------------------------------
B-|C|-5--------5--------6-------5-------|--------------------------------
F-|A|-----0------0----------0-------0---|--------------------------------
C-|P|---0----------0------0---0---0-----|-----0-----0---------0-------0--
A-|O|-7-----7--------7--8-------7-----7-|---7-----7-----7---7-------5----
E-| |-----------------------------------|-5-----5-----5---5-----0-3------
FIG. 3 (for 3* cut off at the point marked with ** below!!)
E-| |--------------------------------------------------------------------
B-|C|--------------------------------------------------------------------
F-|A|--------------------------------------------------------------------
C-|P|-----0-----0---------0-------0-------0-----0---------0-----0--------
A-|O|---7-----7-----7---7-------5-------3-----3-----3---5-----5-----5----
E-| |-5-----5-----5---5-----5-3-----0-1-----1-----1---3-----3-----3------
E-| |------------------------------------------------*-------------------
B-|C|------------------------------------------------*-------------------
F-|A|------------------------------------------------*-------------------
C-|P|-----0-----0---------0-----0----------0-----0---*----0-----0--------
A-|O|---8-----8-----8---3-----3-----3----5-----5----5*--7-----7-----7----
E-| |-6-----6-----6---1-----1-----1----3-----3----3--*5-----5-----5------
FIG. 4
E-| |--------------------------------------------------------------------
B-|C|--------------------------------------------------------------------
F-|A|--------------------------------------------------------------------
C-|P|-----0-----0---------0-------0-------0-----0---------0-----0--------
A-|O|---7-----7-----7---7-------5-------3-----3-----3---5-----5-----5----
E-| |-5-----5-----5---5-----5-3-----0-1-----1-----1---3-----3-----3------
E-| |--------------------------------------------------------------------
B-|C|--------------------------------------------------------------------
F-|A|-----------------------------------------------------0-----0--------
C-|P|-----0-----0---------0-----0----------0-----0-----------------------
A-|O|---8-----8-----8---3-----3-----3----5-----5----5---7-----7---7-/----
E-| |-6-----6-----6---1-----1-----1----3-----3----3---5-----5-----5-/----
Fig. 5
E-| |-----------------------------------|--------------------------------
B-|C|----------------------------------:|--------------------------------
F-|A|----------------------0-----0------|-----0-----0--------0-----0-----
C-|P|------0-------0--------------------|--------------------------------
A-|O|---10-------5-------3-----3---3-/-:|---8-----8-----8---3-----3---3-/
E-| |-8------0-3-----0-1-----1-----1-/--|-6-----6-----6---1-----1-----1-/
Fig. 6
E-| |--------------------------------
B-|C|--------------------------------
F-|A|--------------------------------
C-|P|-----------------------------0--
A-|O|-7~~~----------------5~----5----
E-| |-5~~~----------------3~--3------
FIG. 7
E-| |----------------------------------------------------------------0--
B-|C|-5--------5--------6-------5------------------------------------0--
F-|A|-----0------0----------0-------0--------------0---0-------------0--
C-|P|---0----------0------0---0---0----------0---------------0-------0--
A-|O|-7-----7--------7--8-------7-----7----7-----7---------7-------5----
E-| |------------------------------------5-----5-----5---5-----5-3----
Well we've reached the end of another tab..as always , your comments,
corrections, and questions are welcome...
--
| Fidonet: Peter Henderson 1:229/125
| Internet: Peter.Henderson@pconline.gryn.org
X.Y.U.
Tabbed by Brian McCall
Eb tuning
Intro
|-----------------------------------------------
|-----------------------------------------------
|-15~---------------11~-------------------------
|-X-----------------X---------------------------
|-13~---------------9~--------------------------
|----0-0-0-0-0-0-0----0-0-0-0-0-0-0------------
*1 more distortion
|-----------------------------------------------
|-----------------------------------------------
|-15~---------------11~-------------------------
|-X-----------------X---------------------------
|-13~---------------9~--------------------------
|----0-0-0-0-0-0-0----0-0-0-0-0-0-0------------
|----------------------------------------------
|----------------------------------------------
|-15~---------------11~-------11/12-12-14--------
|-X-----------------X---------X-----X--X---------
|-13~---------------9~--------9-/10-10-12--------
|----0-0-0-0-0-0-0----0-0-0--------------------
*2
|----------------------------------------------
|----------------------------------------------
|-11---------------11--------------------------
|-X----------------X---------------------------
|-9----------------9--------------------------
|----0-0-0-0-0-0-0----0-0-0-0-0-0-0------------
^repeat
|----------------------------------------------
|----------------------------------------------
|-11---------------11-------11/12-12-11--------
|-X----------------X--------X-----X--X---------
|-9----------------9--------9-/10-10-9---------
|----0-0-0-0-0-0-0----0-0-0--------------------
Well, based on those two octaves the rest is pretty easy to
figure out (if you can't then you don't deserve to own that
guitar!! :P').
